
Unlike the snail we carry our homes within us
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Sunday 31 August, 2pm and 4:30pm
Beaver Point Hall
Unlike the snail, we carry our homes within us is an immersive audio-guided performance installation by composer Peter Hatch and visual artist Matthew Talbot-Kelly. Combining both live and recorded sound with sculpture and projections, the work transforms Beaver Point Hall into a shifting landscape of sound and image that invites exploration at one’s own pace.
Participants wear headphones to follow a non-linear audio tour while live performances by Cicela Månsson, Meredith Bates, Kathryn Cernauskas, François Houle, and John Whitelaw unfold through structured improvisation; the performers respond to evolving experimental scores, to one another and to the space itself, as Hatch calls attention to our ever changing experience of time. Talbot-Kelly’s contributions, part of his Curiosity Museum project, offer poetic counterpoints - assemblages of fragmented open stories, posing questions about perception and memory. Every participant will experience the piece differently, shaped by their particular movements, focus, and perceptions of the interplays between sound and visuals.
Inspired by the experimental spirit of John Cage, including his roots in Eastern philosophies, the installation is an experimental meditation on identity and community in a world that often feels fragmented and overwhelming. Unlike the snail offers a space for collective slowing down, deep listening and reflection in an age of distraction.
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We acknowledge the support of the Canada Council for the Arts


Thank you to all who attended our two sold-out shows of Unlike the Snail, We Carry Our Homes Within Us in August, and apologies to those who were not able to get a ticket. Here are a few of the comments from our audience:
“An otherworldly and beautiful afternoon. It was a magical experience.”
"I was absolutely engaged and absorbed.... Intriguing complexity of juxtaposed sounds and visuals.“
“The show was really beautiful. It ended up being so captivating and perfectly suited to a peaceful and independent immersion. Matthew’s pieces, the audio tour and live performances were wonderfully crafted. I loved the freedom to move. I could choose to stand next to a performer, investigate a visual story, or listen from a distance. Very cool."
"An incredible performance which I feel privileged to have experienced.... The sound prompted my body to move and as I moved, different combinations of views came into focus. Just a slight body movement created a different ‘scene’.... Over time it felt like I was inside the process of meaning making. As if the process of making meaning was filleted and laid out before me to comprehend as well as to experience. My sincere appreciation to the collaborative nature of this project (including us audience members as the final link)."
"UTSWCOHWU unfolded a beautiful metaverse - a psychic/sonic lost and found.”
Composer: Peter Hatch
Performers/improvisors: Meredith Bates, Kathryn Cernauskas, François Houle, Cicela Månsson, John Whitelaw
Sound: Jascha Narveson
Installation: A. Knobe Dee aka Matthew Talbot-Kelly
Assistants: Nolan Talbot-Kelly and Anastasia Venedyukhina
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Audio Guide written/composed by Peter Hatch and Margaret Toye
Narrator: Lainie Fefferman
Translation narrators: Cicela Månsson and Hope Lee
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Audio Guide citations taken from:
Beckett, Samuel. “Waiting for Godot: A Tragicomedy in Two Acts” 1953.
Bolt-Taylor, Jill. My Stroke of Insight: A Brain Scientist’s Personal Journey. New York: Viking/Penguin, 2008.
Cage, John. Silence: Lecture and Writings. Middletown: Wesleyan UP, 1961.
Chödrön, Pema. Comfortable with Uncertainty: 108 Teachings on Cultivating Fearlessness and Compassion. Boulder: Shambhala: 2018.
Kimmerer, Robin Wall. Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge and the Teaching of Plants. Minneapolis: Milkweed Editions, 2013.
Gathering Moss: A Natural and Cultural History of Mosses. Portland: Oregon
State UP: 2003.
Satie, Erik Sate. Nigel E. Wilkins. “The Writings of Erik Satie.” Boston: Da Capo Press, 1980.
Stein, Gertrude. “We Came. A History”(1930). Gertude Stein: Selections. Ed. Joan Retallack. Berkeley: U of California P, 2008.
Talbot-Kelly, Matthew. “NonSenseBlog”.
Tzu, Lao. Chapter 78. Tao Te Ching. Translation compiled by Peter Hatch and Margaret Toye. Tao Te Ching: Classic of the Way and Virtue, Tao Te Ching: The Taoism of Lao Tzu

We acknowledge the generous support of the Canada Council for the Arts

